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The Roman dramatist Seneca used a special type of scene, the Counselling Scene, as a means to define his hero-villains. In it, a subsidiary character, usually a counsellor or nurse, advises the protagonist (also known as the hero-villain) to refrain from a passion such as anger or lust and act according to the tenets of Stoicism. The hero-villain refuses to do so and sometimes even forces the counsellor or nurse to participate in planning out the crime he or she will enact. Playwrights of the English... Mehr

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