Based on case studies, this volume investigates the exchange of art objects and ideas between France and Germany around 1900. Despite strained relations between these two countries, art dealers, gallerists, art critics and museum world representatives were players in a lively international art business. The authors examine institutional structures, practices and the personalities of the Franco-German art world at the turn of the century, paying particular attention to the role of museums and their... Mehr
Preis-Alarm
